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Beatles engineer Smith dies at 85

Norman Smith worked on records including Rubber Soul
The Beatles engineer Norman Smith, who worked on every studio recording the band made between 1962 and 1965, has died at the age of 85.

Smith, nicknamed “Normal Norman” by John Lennon, took charge of the bands first session at Abbey Road in 1962.

Promoted to producer in 1966, he signed Pink Floyd and produced their early albums including Saucerful of Secrets.

Under the name Hurricane Smith, he also enjoyed UK chart success with singles including Dont Let It Die in 1971.

That song reached number two in the UK, while follow-up Oh Babe, What Would You Say? reached the top five on both sides of the Atlantic the following year.

Smith helped create The Beatles early sound.
His record label EMI described him as “a legendary figure in the history of EMI and British music”.

“We were very saddened to hear of his passing away, and our thoughts and condolences go out to his family at this time,” the statement said.

Recalling The Beatles first session for EMI, Smith once told an interviewer: “Visually, they made quite an impression, but musically we didnt really hear their potential.”

He was impressed by their sense of humour and style, which marked them out from the large number of other bands that came in to try to impress producer George Martin and earn a record deal.

Smith said he told Martin at the time: “For that alone we should sign them. Just because of their humour and the way they present themselves, they are different.”

Once promoted to producer, he said he signed Pink Floyd after being impressed by their stage presentation at one of their gigs.

“I cant in all honesty say that the music meant anything at all to me,” he later recalled. “In fact, I could barely call it music.

“A mood creation through sound is the best way that I could describe Floyd.”

Smith, who was born in Edmonton, North London, died on 3 March.

link to original article:
BBC NEWS | Entertainment | Beatles engineer Smith dies at 85

Consider the statements that were made today without controversy:

• DRM on purchased music is dead
• A utility pricing model or flat-rate fee for music might be the way to go
• Ad-supported streaming music sites like iMeem are legitimate players
• Indie music accounts for upwards of 30 percent of music sales
• Napster isn’t losing $70 million per quarter (and is breaking even)
• The music business is a bastion of creativity and experimentation

Read full article at:
Ars Technica:  Music exec: “Music 1.0 is dead.”

Link to a post on Creative Caffeine’s website, a Nashville Recording Studio that takes pride in an old school analog approach to recording music.

Analog Recording Alive and Well at Creative Caffeine - Nashville Recording Studio